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Discourses

Sir Joshua Reynolds

1820254 pagesabout 4–6 hours
1820
first published
  • 1820Sharpe
  • 1887W. Scott · 283 pages · ENG
  • 1887Scott · 283 pages · ENG
  • 1961Collier · 256 pages · ENG
  • 1966Collier-Macmillan · 254 pages · ENG
  • 1975Published for the Paul Mellon Centre for Studies in British Art (London) Ltd. by Yale University Press · 349 pages · ENGISBN 9780300018233
  • 1992Penguin · 417 pages · ENGISBN 9780140432787
  • 1997Published for the Paul Mellon Centre for Studies in British Art (London) Ltd. by Yale University Press · 349 pages · ENGISBN 9780300073270

The Discourses on Art of Sir Joshua Reynolds form one of the most eloquent literary documents in the history of European art. Composed as lectures to the students at the Royal Academy in the late eighteenth century, they both summarize the art theory of the previous three hundred years and point towards attitudes prevalent in the nineteenth century. Reynolds' general topic is the education of the artist. He is concerned with the essentials of the problem: the purpose of art, the nature of the creative process, and the artist's relation to tradition. He treats these questions with a breadth and clarity that won the immediate admiration of his contemporaries and have continued to hold the attention of readers ever since. No other body of art criticism by an Englishman has enjoyed such sustained respect. This standard edition of the Discourses is now reissued in a new format and with improved illustrations. It has long been recognized as a fundamental text for the study of eighteenth-century English painting, and this edition is generally considered to be the definitive one.

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