This profusely illustrated book is the first full-length study of the Canadian-born sculptor David Rabinowitch (born 1943). Working in New York since 1972 and extensively in Europe since the early 1980s, Rabinowitch has pursued a highly independent and philosophically sophisticated project grounded in an analysis of the basic conditions, properties, and relations of sculptural construction. This book is a contribution not only to the interpretation of an important contemporary artists but also to the criticism and theory of sculpture.
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